Thursday, May 15, 2008

Dreadlock Holiday

I took a month off from listening to (and blogging about) rock music. I spent that month listening to reggae, dub, and ska. I have no insightful opinions to share with you regarding Jamaican music. However, I can recommend a few books I read recently.

This is no more a book blog than it is a reggae blog. But if you enjoy satiric novels, you will be pleased with the works of Anthony Winkler and Steve Aylett. Winkler is Jamaican-born (currently living in Atlanta), and several of his novels have recently been reprinted by Akashic Books. I read The Duppy and Dog War. The Duppy is an affectionate satire of Christian beliefs, both Jamaican and American. It has some characteristics of metafiction, and is hilariously funny.

Aylett is a prolific British writer, mostly of experimental science fiction. I recently read Atom, which is (among other things) an homage to the hard-boiled detective novel; and Lint, which purports to be the biography of a pulp sci-fi writer (loosely based on Philip K. Dick). Enjoy a hallucinatory taste of Aylett (from Atom):
...there was a stranger onstage wearing this huge black coat and playing a giant flute. And as he played, some- thing began to inflate from the end of the instrument. It was a human head, resembling exactly that of the musician, its lips attached to this end of the flute and facing its twin. Then the body began to tumble from beneath the head like a birthing calf. The feet hit the stage and the form filled out, swaying slow in the ventilation. Then the arms quickly inflated, quivering up into position, and the real guy, the first one, detached and floated out above the audience. The new man, coat and all, had taken over on the flute, and his music bobbed and drifted like the airborne figure. The floating man, uplit and shadow-freaked, was screaming as though terrified, and so was everyone else. The clientele began to fire at the ceiling, at each other, at the musician onstage.

...The musician reacted weirdly. As the volleys flew, he telescoped the flute and drew his coat all around like Bela Lugosi, sinking behind it and turning his back. It looked like the ammo was disappearing into that coat like pledges into a manifesto. Then when a shell burst the floating man, next thing the whole joint was being showered with confetti, all these louts looking up like it was Christmas, and the stage guy was nowhere.

Every single flake of confetti bore a miniature likeness of the stranger's face.

Wednesday, April 16, 2008

Evolution of a Man Next Door

The song Man Next Door (a/k/a Quiet Place, or I've Got to Get Away) was written in the late 1960's by John Holt of the Paragons.

In the 1970's, Bunny Lee produced a dub version for King Tubby, A Noisy Place. (There is also a rare "Dub Next Door" by Tappa Zukie). Dave Barker screamed like James Brown on his deejay version of I Got to Get Away. Dr. Alimantado warned about Poison Flour over Horace Andy's early version of I've Got to Get Away.

Dennis Brown sang the hell out of Man Next Door in 1979, which probably inspired the Slits to record it in 1980 for a Rough Trade single (produced by Adrian Sherwood). Here's a shambolic but loveable version of Man Next Door by the Slits (from their live album In the Beginning).

In the 1980's, Adrian Sherwood produced a funk version of Man Next Door by the Strange Parcels (featuring Bim Sherman on vocals, backed by Doug Wimbish and Skip McDonald of Tackhead.) Horace Andy sang Man Next Door again in 1998 with Massive Attack, whose version includes a sample of the Cure song "10:15 Saturday Night".

Tuesday, April 01, 2008

Being for the Benefit of Mr. Frye

Claw Hammer: Final Solution
Chrome Cranks: Street Waves
Cobra Verde: Chinese Radiation
Tar: Non-Alignment Pact

Thank you to all the visitors this past month who commented on the Pere Ubu posts. Here are some covers of Pere Ubu songs from The Modern Dance. If you are interested in seeing what the Atlanta performance of The Man with X Ray Eyes looked like, check out the pictures and commentary at Jeremy's Rock Blog. There's a great shot of the neon marquee of the Plaza Theater, and a link to the original trailer for the film.

Coincidentally, the Sailor Jerry blog recently posted Pere Ubu's first single, Final Solution (along with a scan of its picture sleeve, which I have never seen before.)

Wednesday, March 26, 2008

Reckless Eyeballing

I thought the Pere Ubu performance was a successful meld of music and film. The band performed instrumental versions of Ubu songs ranging from the first album to the most recent, 2006's excellent Why I Hate Women. David Thomas didn't sing, as far as I could tell. He occasionally triggered samples from a computer. Some of these were humorous, such as a voice paging "Dr. Fine, Dr. Howard, Dr. Fine" during hospital scenes.

The music was well-suited to the movie. Some of it was conventional rock, used to stirring effect during the climax of the film, when Ray Milland recklessly flees Las Vegas, chased by a helicopter. The title track from The Modern Dance was performed during a party scene when Milland realizes that he can see through the dancers' clothes. Pere Ubu is still capable of an uncompromising electronic squall, often used during the surreal scenes of Milland's visual disorientation.

David Thomas introduced the film by describing his love of "sci-films" and citing their influence on the "third generation" of rock musicians. He also mentioned the theory that there is a lost ending to X: The Man with X-Ray Eyes. The film ends suddenly, and some fans believe that another scene was shot. Thomas said, "Roger Corman has always denied this, but I think he's wrong." David Thomas clearly loves this era of B-movies, and it would be wonderful if Pere Ubu carries out his wish to perform a musical underscore to the eerie cult film Carnival of Souls.

Pere Ubu's performance appeared to be well-attended. I briefly sat next to Bradford Cox near the front, but the band's equipment blocked my view of the screen, so I moved further back and ended up sitting behind one of the dudes from Mastodon (or someone who wears the same style of beard). I think I saw at least one Black Lip (or someone with a very similar mustache). But the big thrill for me was not all this local celebrity facial hair: it was seeing David Thomas in person. There was the man who sang "Final Solution"! The voice of Rocket from the Tombs! The dancing behemoth in Urgh! A Music War! After the end of the show, I saw him smoking a cigarette behind the theater. I thought about approaching him to say how much his music had moved me when I first heard it as a teen, and how impressed I was with the most recent Pere Ubu album. But I imagine he often hears this type of mush, and it looked like he wanted to be alone.

Thursday, March 20, 2008

Pere Ubu Performs in Atlanta

Stooges: TV Eye (outtake)
Chrome: TV as Eyes
Le Shok: TV in My Eye

Pere Ubu will perform a live "underscore" to accompany the 1963 film X: The Man with X Ray Eyes at 9:30pm on Tuesday, March 25 at the Plaza Theater in Atlanta. Pere Ubu will also accompany a screening of the film in Charlotte on Monday.

X: The Man with X Ray Eyes was directed by Roger Corman, and starred Ray Milland (as well as a young Don Rickles.) Ray Milland also directed and starred in Panic in Year Zero, a title that Pere Ubu adapted for their first EP release (thirty years ago!) Here is a press release describing Pere Ubu frontman David Thomas' interest in performing music to accompany films. Tickets for the Atlanta show are available from Ticket Alternative.

Tuesday, February 19, 2008

The Percolations Are Imminent

Charles Walker and the Dynamites will bring their classic funk sound to Atlanta's EARL on Friday, February 29th, and to the Melting Point in Athens on the following night (Saturday, March 1st). When I say classic funk, I mean the sound of James Brown circa 1965, with a touch of the mighty Meters. Walker is a powerful soul shouter, and the Dynamites are a nine-piece band who specialize in chicken-scratch guitar and bass-driven rhythms with a tight horn section, plus the percolating rumble of the Hammond B3 underpinning their original songs. The Dynamites' 2007 debut album, Kaboom, is highly recommended. Here's a taste -- a song appropriate to this primary season:

Charles Walker and the Dynamites: Every Time

Monday, February 11, 2008

I Want My Record Store Back

My local independent record store closed last week. It had been open almost thirty years. The owner has been ill for several months, which may have been the deciding factor in closing the store. But I have no doubt that the store was mortally wounded by the popularity of downloading music, and the stifling grip of the big box retailers (who are now devoting less shelf space to CD's). Only another music nerd could understand how deeply saddened I am about losing my favorite record store.

My twelve year old son is bummed out too, because his favorite radio station is gone. I haven't listened to 99x in years, but my son listened to it every night. Now he gets new music from Youtube, or he hears new songs on TV commercials, movie soundtracks, and video games. Radio stations used to "break" new bands. Then it was MTV. Nowadays, I guess we are all arbiters of taste: anyone can have an mp3 blog, or post a podcast. But once we listened to the opinions of radio DJ's, record reviewers, and record store clerks. Sure, they could be a-holes, but they could also turn you onto something new (or something old) that you would really like.

April 19, 2008 has been designated Record Store Day. It will come too late to save my local record store, but I appreciate the effort to encourage people to patronize independent retailers. Here are some quotes from musicians about why independent record stores are an important cultural resource. I mean that sincerely. Now go buy a record!

Supersuckers: Rock N Roll Records Aint Sellin This Year (buy)
Weston: Record Shop (buy)
Peck of Snide: Record Store Guy (buy)
Fellaheen: Record Collector (buy)

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